Sean Connery


Last night, we went to see the restored 'Goldfinger' at the Cinema (an Odeon). There is talk of releasing 'Thunderball' and 'From Russia with Love' on the big screen too. The retouching was done very well, the film looked sharp and crisp - thankfully they resisted the urge to tamper.

Goldfinger is the quintessential Bond theme, I can't even recall the name of the Casino Royale theme, let alone hum the tune (the last one that felt 'Bondy' to me was 'Goldeneye' - and the last ones I really remember were 'View to a Kill' and 'The Living Daylights'. For me, a Bond Theme should scream 'Bond' even when not attached to the film, there is an honourable exception for 'We have all the Time in the World'). I'd love it if they got someone like Shirley (or even Bassey herself) to do Bond 22.

From the start, the film is sublime. Oddjob, Pussy Galore, Auric Goldfinger - wonderful stuff. There is the superlative exchange 'Do you expect me to talk....?' 'No, Mister Bond, I expect you to die'.

As the TimesOnline points out, I'd forgotten that this is one of those Bond Films where events take control of Bond, and he goes from disaster to disaster, for instance the day is saved when one of the main villains has a change of heart after Bond forces himself on her, and rings the CIA (though why they don't intervene before the nuclear bomb goes anywhere near the repository is beyond me - Goldfinger isn't suicidal) - and he almost detonates the bomb by ripping wires out instead of hitting the 'off' switch which Leiter finds so readily.

I loved seeing Goldfinger on the big screen, I do hope that the other films get the same treatment.

I've only just found out that it was for one day only, if I'd have known that I would have posted yesterday - my apologies. This is part of a film season from the UK film council.

For one night only, some of Britain's best films will come to the big screen, as you've never seen them before. Digitally remastered in Hi-Definition and returning to cinemas for the first time since their release, these films are a rare and unmissable visual treat.

Every Tuesday evening – from 31 July to 11 September – 136 cinemas across the UK will be showing seven British classics, kicking off with the action-packed 007 classic "Goldfinger" and ending with the popular buddy comedy "Withnail & I".

Please see below for the full list of films and their screening dates:

  • Goldfinger – 31 July
  • Brief Encounter – 7 August
  • Billy Liar – 14 August
  • Henry V – 21 August
  • The Wicker Man – 28 August
  • The Dam Busters – 4 September
  • Withnail and I – 11 September

Casino Royale

On Wednesday we finally got to see 'Casino Royale' (thank you, 'Orange') This film lived up to the hype. Before we went in, we ranked the Bonds as follows:

  • Connery
  • Dalton
  • Brosnan (perhaps controversial to put Dalton ahead. Brosnan was a more natural Bond, but the films were getting way too silly - and I liked the 'edge' of Dalton)
  • Moore
  • Lazenby (he had bad luck in being the first change of Bond, and in getting OHMSS which was the one where Bond gets married... this script would have worked well with an established Bond, not with a new one)

When we came out, we were debating whether Craig should go above or below Connery. Seriously, he was a damned good, Bond.

Little reliance in gadgets, gentle humour (no Moore-style punning), a real edge to him - and for once a Bond film without major plot holes and things blowing up that have no right to blow up without a judicial application of explosive (yes, Goldeneye, I'm referring to your blowing up of the Arecibo Radio Telescope)

It also stayed pretty true to the spirit and plot of the book, Vesper Lynd, the general mission and so forth. Yes, details varied (the eventual fate of Vesper is similar, but not identical, and there were some added items during the Casino sequences) - but these were not complete deviations from Fleming. Some pieces of background were changed for obvious reasons to do with the geopolitical state of the world today. The scene with Bond and Le Chiffre towards the end was excellently done, and virtually unchanged from the book in the important respects.

Essentially what was on screen was probably the closest to a Flemingian Bond that has been seen to date, with a few alterations to make the film flow better and we loved it. Wonderful stuff.

The audience did, I think, begin to worry at the end of the film that it was being undercut by sentimentalism (OHMSS number 2?), but they turned that around wonderfully.

So, what next?

Now there are no more major unfilmed Bonds, I'd like to see Eon begin to move through the sequence of books in order, making them with this new grittier ethos in mind, perhaps we might get some character development instead of pressing the reset button for each film? Perhaps when we get to OHMSS it might not come as such a complete shock!

This would make the next film 'Live and Let Die'... although the downside of this policy is that 'Moonraker' would be next. Though, who knows? Replace Moore with Craig and it could work!

There are reports that one of the short stories from 'Octopussy and Live and Let Die' could be used as a basis for the next film - or that the end of Casino Royale is setting things up for a sequel. Plot development between films? That'd be nice!